Πάντα τα καλοκαίρια με πιάνει μια περίεργη διάθεση να ξαναβρώ την παιδική μου αθωότητα σε υπέροχες κλασικές ταινίες… μέσα σε ένα καλοκαιρινό σινεμά, κάτω από φεγγαρόφωτο. Ταινίες που έγραψαν ιστορία, διαμόρφωσαν ψυχές, καρδιές, προκάλεσαν έντονα συναισθήματα σε γενιές ανθρώπων, προβλημάτισαν… ατάκες που ενέπνευσαν… την πίστη ότι κάποτε θα έχεις ραντεβού με την μοίρα σου… την δύναμη του carpe diem… την ελπίδα… la vita e bella μέσα στις στάχτες μιας προσωπικής καταστροφής… την καθημερινή χαρμόλυπη τρέλα του Θανάση…
- Buongiorno Principessa…
(La vita e Bella) - Carpe diem… Seize the day boys, seize the day... make your lifes, extraordinary!
(Dead Poets Society) - After all, tomorrow is another day.
(Gone with the wind) - Mama always said life was like a box of chocolates...
(FORREST GUMP) - Μπούλη, ρούφα το αυγό σου!
(Η ΔΕ ΓΥΝΗ ΝΑ ΦΟΒΑΤΑΙ ΤΟΝ ΑΝΔΡΑ) - Otis, take the gentleman's cape
(SUPERMAN) - Ω, τον κύριο Αγλαΐα!
(Η ΚΟΡΗ ΜΟΥ Η ΣΟΣΙΑΛΙΣΤΡΙΑ) - Rosebud!
(CITIZEN CANE) - Ε, κορίτσια, δεν κάνει! Παντρεμένος!
(Η ΘΕΙΑ ΑΠ' ΤΟ ΣΙΚΑΓΟ) - Now you're looking for the secret... but you won't find it because you're not really looking. You don't really want to know the secret... You want to be fool...
(The Prestige) - Να διαβάσω είπα ρε Παυλάρα , όχι να μελετήσω αρχαία ελληνική ιστορία!
(Λατέρνα φτώχεια και φιλότιμο) - Nobody leaves this place without singing the blues!
(Adventures in Babysitting) - Υou talking to me?
(Taxi driver) - Αμάν.....Ο καζαμπούμπου!!!!!
(Μην είδατε τον Παναή) - Εμένα με το «ρε», να μη μου μιλάς, γιατί εγώ το «ρε» δεν το σηκώνω! Ούτε χειρονομίες δε σηκώνω, ακούς;
(Της κακομοίρας) - Wax on! Wax off!
(KARATE KID) - You have 20 seconds to comply!
(ROBOCOP) - I'm gonna make him an offer he can't refuse…
(Godfather) - Υou gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the women...
(Scarface) - Hasta la vista, baby!
(T2: JUDGEMENT DAY) - It's extraordinary! Where do you learn all those languages?
In bed!
(ΠΟΤΕ ΤΗΝ ΚΥΡΙΑΚΗ) - Φύγε!! Γιατί δεν φεύγεις;;;
(ΣΤΕΛΛΑ) - Of all the gin joints in all the towns in all the world, she walks into mine...
(CASABLANCA) - And like that... he is gone.
(Usual Suspects) - Sssssssomebody, stoppp meeeee!
(THE MASK)
7 σχόλια:
Austin (Mike Myers): "Do I make you horny?" in Austin Powers: International Man of Mystery (1997)
AUSTIN POWERS (Mike Myers): "Yeah, baby!" AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY, 1997
"I never drink...wine" in Dracula (1931)
Tuco (Eli Wallach): "When you have to shoot, shoot…don't talk." in The Good, The Bad, and the Ugly (1966)
JOE GIDEON (Roy Scheider): "It's showtime!" ALL THAT JAZZ, 1979
ALVY SINGER (Woody Allen): "I don't want to move to a city where the only cultural advantage is being able to make a right turn on a red light." ANNIE HALL, 1977
ALVY SINGER (Woody Allen): "Don't knock masturbation. It's sex with someone I love." ANNIE HALL, 1977
MELVIN UDALL (Jack Nicholson): "You make me want to be a better man."
AS GOOD AS IT GETS, 1997
THE JOKER (Jack Nicholson): "Have you ever danced with the Devil in the pale moonlight?" BATMAN, 1989
BETELGEUSE (Michael Keaton): "I'm the ghost with the most, babe." BEETLEJUICE, 1988
CHANCE (Peter Sellers): "I like to watch." BEING THERE, 1979
ELWOOD BLUES (Dan Aykroyd): "We're on a mission from God." THE BLUES BROTHERS, 1980
CLYDE BARROW (Warren Beatty): "We rob banks." BONNIE AND CLYDE, 1967
DR. DAVID HUXLEY (Cary Grant): "It isn't that I don't like you, Susan, because after all, in moments of quiet, I'm strangely drawn toward you; but, well, there haven't been any quiet moments! BRINGING UP BABY, 1938
MADGE NORWOOD (Bette Davis): "I'd love to kiss you, but I just washed my hair." CABIN IN THE COTTON, 1932
MARGUERITE GAUTIER (Greta Garbo): "His eyes have made love to me all evening." CAMILLE, 1936
ILSA LASZLO (Ingrid Bergman): "Play it, Sam. Play 'As Time Goes By.'" CASABLANCA, 1942
RICK BLAINE (Humphrey Bogart): "Louis, I think this is the beginning of a beautiful friendship." CASABLANCA, 1942
MITCH ROBBINS (Billy Crystal): "Hi, Curly, kill anyone today?"
CURLY (Jack Palance): "Day ain't over yet." CITY SLICKERS, 1991
DAVID WOODERSON (Matthew McConaughey): "That's what I love about these high school girls, man. I keep getting older, they stay the same age." DAZED AND CONFUSED, 1993
JOHNNY CASTLE (Patrick Swayze): "Nobody puts Baby in a corner." DIRTY DANCING, 1987
HARRY CALLAHAN (Clint Eastwood): "You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" DIRTY HARRY, 1971
DONNIE BRASCO (Johnny Depp): "Forget about it." DONNIE BRASCO, 1997
PRESIDENT MERKIN MUFFLEY (Peter Sellers): "Gentlemen, you can't fight in here! This is the War Room!" DR. STRANGELOVE, 1964
ERIN BROCKOVICH (Julia Roberts): "They're called boobs, Ed." ERIN BROCKOVICH, 2000
TYLER DURDEN (Brad Pitt): "First rule of Fight Club is - you do not talk about Fight Club." FIGHT CLUB, 1999
BOBBY DUPEA (Jack Nicholson): "Now all you have to do is hold the chicken, bring me the toast, give me a check for the chicken salad sandwich, and you haven't broken any rules."
WAITRESS (Lorna Thayer): "You want me to hold the chicken, huh?"
BOBBY DUPEA: "I want you to hold it between your knees."
FIVE EASY PIECES, 1970
HENRY FRANKENSTEIN (Colin Clive): "It's alive! It's alive!" FRANKENSTEIN, Universal, 1931
MOHANDAS GANDHI (Ben Kingsley): "If you are a minority of one, the truth is the truth." GANDHI, 1982
GUY HOLDEN (Fred Astaire): "Chance is the fool's name for fate." THE GAY DIVORCEE, 1934
LORELEI (Marilyn Monroe): "I always say a kiss on the hand might feel very good, but a diamond tiara lasts forever." GENTLEMEN PREFER BLONDES, 1953
DR. PETER VENKMAN (Bill Murray): "We came. We saw. We kicked its ass." GHOSTBUSTERS, 1984
MICHAEL CORLEONE (Al Pacino): "Keep your friends close, but your enemies closer." THE GODFATHER: PART II, 1974
ADRIAN KRONAUER (Robin Williams): "Good morning, Vietnam!" GOOD MORNING, VIETNAM, 1987
TOMMY DE VITO (Joe Pesci): "Funny like I'm a clown? I amuse you?" GOODFELLAS, 1990
BENJAMIN BRADDOCK (Dustin Hoffman): "Mrs. Robinson, you're trying to seduce me. Aren't you?"
THE GRADUATE, 1967
ROD TIDWELL (Cuba Gooding, Jr.): "Show me the money!" JERRY MAGUIRE, 1996
RUPERT PUPKIN (Robert DeNiro): "Better to be king for a night than schmuck for a lifetime." THE KING OF COMEDY, 1983
WYATT EARP (Henry Fonda): "Mac, you ever been in love?"
MAC (J. Farrell MacDonald): "No, I've been a bartender all my life."
MY DARLING CLEMENTINE, 1946
COUNT LEON D'ALGOUT (Melvyn Douglas): "Ninotchka, it's midnight. One half of Paris is making love to the other half."
NINOTCHKA, 1939
NINOTCHKA (Greta Garbo): "Must you flirt?"
LEON (Melvyn Douglas): "Well, I don't have to, but I find it natural."
NINOTCHKA: "Suppress it."
NINOTCHKA, 1939
GEN. GEORGE PATTON (George C. Scott): "Now, I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country."
PATTON, 1970
FRANK CHAMBERS (John Garfield): "With my brains and your looks, we could go places." THE POSTMAN ALWAYS RINGS TWICE, 1946
FRANZ LIEBKIND (Kenneth Mars): "Not many people know it, but the Führer was a terrific dancer." THE PRODUCERS, 1968
NORMAN BATES (Anthony Perkins): "We all go a little mad sometimes."
PSYCHO, 1960
ROCKY BALBOA (Sylvester Stallone): "Yo, Adrian!" ROCKY, 1976
ROSEMARY WOODHOUSE (Mia Farrow): "This isn't a dream! This is really happening!" ROSEMARY'S BABY, 1968
LLOYD DOBLER (John Cusack): "I gave her my heart, and she gave me a pen." SAY ANYTHING..., 1989
TONY MONTANA (Al Pacino): "Say 'hello' to my little friend!" SCARFACE, 1983
CAPT. NATHAN BRITTLES (John Wayne): "Never apologize and never explain, it's a sign of weakness." SHE WORE A YELLOW RIBBON, 1949
DR. HANNIBAL LECTER (Anthony Hopkins): "I do wish we could chat longer, but I'm having an old friend for dinner." THE SILENCE OF THE LAMBS, 1991
LUNA SCHLOSSER (Diane Keaton): "It's hard to believe that you haven't had sex for two hundred years."
MILES MONROE (Woody Allen): "Two hundred and four, if you count my marriage."
SLEEPER, 1973
JERRY (Jack Lemmon): "Look at that! Look how she moves. That's just like Jell-O on springs. She must have some sort of built-in motor. I tell you, it's a whole different sex!" SOME LIKE IT HOT, 1959
HAN SOLO (Harrison Ford): "May the Force be with you." STAR WARS, 1977
BLANCHE DUBOIS (Vivien Leigh): "I have always depended on the kindness of strangers." A STREETCAR NAMED DESIRE, 1951
HARRY CALLAHAN (Clint Eastwood): "Go ahead, make my day." SUDDEN IMPACT,, 1983
SUPERMAN (Christopher Reeve): "I'm here to fight for truth, justice, and the American way." SUPERMAN, 1978
TRENT (Vince Vaughn): "You're so money, and you don't even know it." SWINGERS, 1996
BANK TELLER #1 (Ensemble): "Does this look like 'gub' or 'gun'?"
BANK TELLER #2 (Ensemble): "Gun. See? But what's 'abt' mean?"
VIRGIL STARKWELL (Woody Allen): "It's 'act'. A-C-T. Act natural. Please put fifty thousand dollars into this bag and act natural."
BANK TELLER #1: "Oh, I see. This is a holdup?"
TAKE THE MONEY AND RUN, 1969
THE TERMINATOR (Arnold Schwarzenegger): "I'll be back." THE TERMINATOR, 1984
AURORA GREENWAY (Shirley MacLaine): "Would you like to come in?
GARRETT BREEDLOVE (Jack Nicholson): "I'd rather stick needles in my eyes."
TERMS OF ENDEARMENT, 1983
HARRY LIME (Orson Welles): "In Switzerland, they had brotherly love, and they had 500 years of democracy and peace. And what did that produce? The cuckoo clock." THE THIRD MAN, 1949
FRANCES STEVENS (Grace Kelly): "Do you want a leg or a breast?" TO CATCH A THIEF, 1955
JOSHUA THE COMPUTER (voice of James Ackerman): "Would you like to play a game?" WARGAMES, 1983
JESSICA RABBIT (voice of Kathleen Turner): "I'm not bad. I'm just drawn that way." WHO FRAMED ROGER RABBIT, 1988
DOROTHY GALE (Judy Garland): "There's no place like home." THE WIZARD OF OZ, 1939
TESS McGILL (Melanie Griffith): "I have a head for business and a bod for sin." WORKING GIRL, 1988
Τέλος μερικές ατάκες από μια από τις πιο αγαπημένες μου ταινίες : High Fidelity, 2000
Laura: Listen, Rob, would you have sex with me? Because I want to feel something else than this. It either that, or I go home and put my hand in the fire. Unless you want to stub cigarettes out on my arm.
Rob: No. I only have a few left, I've been saving them for later.
Laura: Right. It'll have to be sex, then.
Rob: Right. Right.
Rob: I can't fire them. I hired these guys for three days a week and they just started showing up every day. That was four years ago.
Rob: Sometimes I got so bored of trying to touch her breast that I would try to touch her between her legs. It was like trying to borrow a dollar, getting turned down, and asking for 50 grand instead.
Rob: What, fucking, Ian guy?
Laura: [preparing to have sex with Rob in a car] I knew there was a reason I wore a skirt today.
Rob: I could've wound up having sex back there. And what better way to exorcise rejection demons than to screw the person who rejected you, right? But you wouldn't be sleeping with a person, you'd be sleeping with the whole sad, single-person culture. It'd be like sleeping with Talia Shire in Rocky if you weren't Rocky.
Rob: What if I was doing something that can't be cancelled?
Laura: Rob, what are you ever doing that can't be cancelled?
Rob: Top five things I miss about Laura. One; sense of humor. Very dry, but it can also be warm and forgiving. And she's got one of the best all time laughs in the history of all time laughs, she laughs with her entire body. Two; she's got character. Or at least she had character before the Ian nightmare. She's loyal and honest, and she doesn't even take it out on people when she's having a bad day. That's character.
[holds up three fingers]
Rob: Three;
[long pause, hesitantly]
Rob: I miss her smell, and the way she tastes. It's a mystery of human chemistry and I don't understand it, some people, as far as their senses are concerned, just feel like home.
[shakes his head, recollecting, then looks back and lip synchs 'four' while holds up four fingers]
Rob: I really dig how she walks around. It's like she doesn't care how she looks or what she projects and it's not that she doesn't care it's just, she's not affected I guess, and that gives her grace. And five; she does this thing in bed when she can't get to sleep, she kinda half moans and then rubs her feet together an equal number of times... it just kills me. Believe me, I mean, I could do a top five things about her that drive me crazy but it's just your garden variety women you know, schizo stuff and that's the kind of thing that got me here.
Γεωργία Βασιλειάδου: Και θα μ' αφήσεις μόνη με τον ταξιτζή;
Μίμης Φωτόπουλος: Ε, τώρα δε φοβάται πια. Σε συνήθισε.
(Η ωραία των Αθηνών)
Δημήτρης Παπαμιχαήλ: Δε μου λες; Εσύ θα άντεχες αν έβλεπες τη γυναίκα σου πάνω στο τραπέζι να χορεύει;
Βασίλης Αυλωνίτης: Τώρα, να σου πω... Εγώ θα άντεχα. Το τραπέζι δε θ/ άντεχε...
(Διπλοπενιές)
Νίκος Ρίζος: Πιάσε δυο καταϊφια. Και που 'σαι... Κάντα μου μυθιστόρημα.
Ξένια Καλογεροπούλου: Δηλαδή;
Νίκος Ρίζος: Τύλιξέ μου τα στο χαρτί!
(Ο θησαυρός του μακαρίτη)
Βασίλης Αυλωνίτης: Θέλω κανένα βιβλίο για να περνάω την ώρα μου.
Νίκος Ρίζος: Βιβλία πασατέμπο δεν έχουμε...
(Ο θησαυρός του μακαρίτη)
Βασίλης Αυλωνίτης: Φασούλι το φασούλι δε γίνονται περιουσίες. Γίνονται φασολάδες!
(Ο τζίτζικας κι ο μέρμηγκας)
Γεωργία Βασιλειάδου: Η ανηψιά μου κι εγώ είμαστε πάρα πολύ στενοχωρημένες γι' αυτό που συνέβη, κύριε. Είμαστε very very... πώς το λέτε εδώ στην Ελλάδα; Χολοσκασμένες!
(Η Θεία απ' το Σικάγο)
Γκιωνάκης: Δε μου λέτε δεσποινίς , δακτυλογράφος είστε ??
Γιαννακοπούλου: Μάλιστα , Που το καταλάβατε ?
Γκιωνάκης: Από τον τρόπο που κρατάτε το σουβλάκι.
(Οι σκανταλιάρηδες)
Βασιλειάδου: Ποιο δόντι σε πονάει;
Χωρικός: Ο κάτω δεξιός τραπεζίτης.
Βασιλειάδου: Εμ, βέβαια. Τραπεζίτης και αριστερός γίνεται;
(Η κυρά μας η μαμή)
Ο Βέγγος πουλάει ρολόγια…
Βέγγος: Τι γινέστε κύριε; Περιμένετε ραντεβού;
Περιμένων: Αχ, ναι. Μια ολόκληρη ώρα...
Βέγγος: Θα είναι από τις δύσκολες φαίνεται... Και με την ευκαιρία έχω κάτι για σας. Ρολόι για ταλαιπωρημένους εραστές: Πάει πίσω μισή ώρα ... για παρηγοριά!
(Ο άνθρωπος που έτρεχε πολύ)
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